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I Got The Feelin'
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Vous avez sélectionné:
I Got The Feelin'
Partitions à imprimer
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In the Dark Pine-Wood (Downloadable)
In the Dark Pine-Wood (Downloadable)
#
Juliana Hall
#
In the Dark Pine-Wood
#
E. C. Schirmer Music Company - Digital
#
Contralto voice and piano - Medium - SKU: MQ.8769-4E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-4E. Published by E....
(+)
Contralto voice and piano - Medium - SKU: MQ.8769-4E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-4E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00 ≈
2.78€
Strings in the Earth and Air (Downloadable)
Strings in the Earth and Air (Downloadable)
#
Juliana Hall
#
Strings in the Earth and Air
#
E. C. Schirmer Music Company - Digital
#
Contralto voice and piano - Medium - SKU: MQ.8769-1E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-1E. Published by E....
(+)
Contralto voice and piano - Medium - SKU: MQ.8769-1E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-1E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00 ≈
2.78€
I Got The Feelin'
I Got The Feelin'
#
Quatuor de Saxophones: 4 saxophones
#
FACILE
#
Soul/R&B
#
James Brown
#
Jeff Tincher
#
I Got The Feelin'
#
Jeff Tincher
#
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.585845 By James Brown. By Jam...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.585845 By James Brown. By James Brown. Arranged by Jeff Tincher. R & B. 17 pages. Jeff Tincher #6460777. Published by Jeff Tincher (A0.585845). It's time to get your funk on !!! This is one of James Brown's early hits. In the original key from the single release, this one will have you movin' to the groove. This arrangement include the ending from his 1968 Boston Gardens concert. Duration = 2:51. https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99 ≈
12.03€
I Got The Feelin'
I Got The Feelin'
#
Flûte, Hautbois, Clarinette, Basson
#
FACILE
#
Soul/R&B
#
James Brown
#
Jeff Tincher
#
I Got The Feelin'
#
Jeff Tincher
#
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.585846 By James Brown. By James Brown. Arranged by Jeff Tincher. R & ...
(+)
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.585846 By James Brown. By James Brown. Arranged by Jeff Tincher. R & B. 17 pages. Jeff Tincher #6460779. Published by Jeff Tincher (A0.585846). It's time to get your funk on !!! This is one of James Brown's early hits. In the original key from the single release, this one will have you movin' to the groove. This arrangement include the ending from his 1968 Boston Gardens concert. Duration = 2:51. https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99 ≈
12.03€
I Got The Feelin'
I Got The Feelin'
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
FACILE
#
Soul/R&B
#
James Brown
#
Jeff Tincher
#
I Got The Feelin'
#
Jeff Tincher
#
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.585844 By James Brown. By James Brown. Arranged by Jeff Tincher. R & B. Score and p...
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.585844 By James Brown. By James Brown. Arranged by Jeff Tincher. R & B. Score and parts. 16 pages. Jeff Tincher #6460775. Published by Jeff Tincher (A0.585844). It's time to get your funk on !!! This is one of James Brown's early hits. In the original key from the single release, this one will have you movin' to the groove. This arrangement include the ending from his 1968 Boston Gardens concert. Duration = 2:51. https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99 ≈
12.03€
I Got The Feelin'
I Got The Feelin'
#
Piano, Voix et Guitare
#
FACILE
#
Soul/R&B
#
James Brown
#
Jeff Tincher
#
I Got The Feelin'
#
Jeff Tincher
#
Piano/Vocal/Chords - Early Intermediate - Digital Download By James Brown. Arranged by Jeff Tincher. Sheet Music Single. 9 pages. Published by Jeff T...
(+)
Piano/Vocal/Chords - Early Intermediate - Digital Download By James Brown. Arranged by Jeff Tincher. Sheet Music Single. 9 pages. Published by Jeff Tincher
It's time to get your funk on !!! This is one of James Brown's early hits. In the original key from the single release, this one will have you movin' to the groove. This arrangement include the ending from his 1968 Boston Gardens concert. Duration = 2:51. https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$5.99 ≈
5.55€
I Got The Feelin'
I Got The Feelin'
#
Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
FACILE
#
Soul/R&B
#
James Brown
#
Jeff Tincher
#
I Got The Feelin'
#
Jeff Tincher
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Brass Quartet - Early Intermediate - Digital Download By James Brown. Arranged by Jeff Tincher. Score, Set of Parts. 17 pages. Published by Jeff Tinc...
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Brass Quartet - Early Intermediate - Digital Download By James Brown. Arranged by Jeff Tincher. Score, Set of Parts. 17 pages. Published by Jeff Tincher
It's time to get your funk on !!! This is one of James Brown's early hits. In the original key from the single release, this one will have you movin' to the groove. This arrangement include the ending from his 1968 Boston Gardens concert. Duration = 2:51. https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99 ≈
12.03€
Concerto
Concerto
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Piano et Orchestre
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AVANCÉ
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Contemporain
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
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Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.22€
James Brown: I Got The Feelin' - voice & other instruments (real book)
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE
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Jazz
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James Brown
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Instantly printable sheet music by James Brown for voice & other instruments (real book) of MEDIUM skill level. / jazz,pop,r & b,soul
Instantly printable sheet music by James Brown for voice & other instruments (real book) of MEDIUM skill level. / jazz,pop,r & b,soul
$3.97 ≈
3.68€
I've Got a Feeling Guitar Minus Vocal
I've Got a Feeling Guitar Minus Vocal
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Basse electrique
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Pop musique
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Steven H
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I've Got a Feeling Guitar Minu
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Boothe Publishing
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Bass Guitar - SKU: A0.1069961 Composed by Steven H. Boothe. Pop. Accompaniment. Duration 236. Boothe Publishing #4633669. Published by Boothe Publishing...
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Bass Guitar - SKU: A0.1069961 Composed by Steven H. Boothe. Pop. Accompaniment. Duration 236. Boothe Publishing #4633669. Published by Boothe Publishing (A0.1069961). Shortly after falling in love for the first time I wrote this song. I couldn't explain how I felt or why. It was just a feeling. A feeling that made me want to be with that person all of the time. Love? Feeling? I guess for me there wasn't any difference.
$1.99 ≈
1.84€
I've Got a Feeling Piano Minus Vocal
I've Got a Feeling Piano Minus Vocal
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Piano seul
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Pop musique
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Steven H
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Ashley Ivers
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I've Got a Feeling Piano Minus
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Boothe Publishing
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Piano - SKU: A0.1069960 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Accompaniment. Duration 178. Boothe Publishing #4633673. Published ...
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Piano - SKU: A0.1069960 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Accompaniment. Duration 178. Boothe Publishing #4633673. Published by Boothe Publishing (A0.1069960). Shortly after falling in love for the first time I wrote this song. I couldn't explain how I felt or why. It was just a feeling. A feeling that made me want to be with that person all of the time. Love? Feeling? I guess for me there wasn't any difference.
$1.99 ≈
1.84€
I've Got a Feeling Guitar Vocal Performance
I've Got a Feeling Guitar Vocal Performance
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Pop musique
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Steven H
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I've Got a Feeling Guitar Voca
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Boothe Publishing
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Bass Guitar,Voice - SKU: A0.1069978 Composed by Steven H. Boothe. Pop. Full Performance. Duration 236. Boothe Publishing #4633727. Published by Boothe P...
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Bass Guitar,Voice - SKU: A0.1069978 Composed by Steven H. Boothe. Pop. Full Performance. Duration 236. Boothe Publishing #4633727. Published by Boothe Publishing (A0.1069978). Shortly after falling in love for the first time I wrote this song. I couldn't explain how I felt or why. It was just a feeling. A feeling that made me want to be with that person all of the time. Love? Feeling? I guess for me there wasn't any difference.
$1.99 ≈
1.84€
I've Got a Feeling Piano Vocal Performance
I've Got a Feeling Piano Vocal Performance
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Pop musique
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Steven H
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Ashley Ivers
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I've Got a Feeling Piano Vocal
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Boothe Publishing
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Piano,Voice - SKU: A0.1069979 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Full Performance. Duration 178. Boothe Publishing #4633729. P...
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Piano,Voice - SKU: A0.1069979 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Full Performance. Duration 178. Boothe Publishing #4633729. Published by Boothe Publishing (A0.1069979). Shortly after falling in love for the first time I wrote this song. I couldn't explain how I felt or why. It was just a feeling. A feeling that made me want to be with that person all of the time. Love? Feeling? I guess for me there wasn't any difference.
$1.99 ≈
1.84€
I've Got a Feeling PVG
I've Got a Feeling PVG
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Pop musique
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Steven H
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Ashley Ivers
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I've Got a Feeling PVG
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Boothe Publishing
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Small Ensemble Cello,Piano,Voice - Level 3 - SKU: A0.984004 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Score and parts. 8 pages. Booth...
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Small Ensemble Cello,Piano,Voice - Level 3 - SKU: A0.984004 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Score and parts. 8 pages. Boothe Publishing #4360909. Published by Boothe Publishing (A0.984004). Shortly after falling in love for the first time I wrote this song. I couldn't explain how I felt or why. It was just a feeling. A feeling that made me want to be with that person all of the time. Love? Feeling? I guess for me there wasn't any difference.
$3.99 ≈
3.70€
You've Got A Friend In Me
You've Got A Friend In Me
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Orchestre à Cordes
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INTERMÉDIAIRE
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Film/TV
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Randy Newman And Lyle Lovett
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Sherry Lewis
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You've Got A Friend In Me
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Sherry Lewis Publishing
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String Orchestra - Level 3 - SKU: A0.521848 By Randy Newman And Lyle Lovett. By Randy Newman. Arranged by Sherry Lewis. Film/TV. Score and Parts. 21 pag...
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String Orchestra - Level 3 - SKU: A0.521848 By Randy Newman And Lyle Lovett. By Randy Newman. Arranged by Sherry Lewis. Film/TV. Score and Parts. 21 pages. Sherry Lewis Publishing #6503427. Published by Sherry Lewis Publishing (A0.521848). YOU'VE GOT A FRIEND IN MEString Orchestra, Intermediate Level for 2 violins, viola, cello and string bass chords such as C, Em, etc. Score: YES Parts: 10 pages Time: 3'25 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99 ≈
12.03€
You've Got A Friend
You've Got A Friend
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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James Taylor
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Sherry Lewis Publishing
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You've Got A Friend
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Sherry Lewis Publishing
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.520894 By James Taylor. By Carole King. Arranged by Sherry Lewis Publishing. Contemporary,Pop. 17 pag...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.520894 By James Taylor. By Carole King. Arranged by Sherry Lewis Publishing. Contemporary,Pop. 17 pages. Sherry Lewis Publishing #3132715. Published by Sherry Lewis Publishing (A0.520894). YOU'VE GOT A FRIEND IN ME String Trio, Intermediate Level for 2 violins and cello or violin, viola and celloScore: YES Parts: 8 pages Time: 3'25MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99 ≈
12.03€
You've Got A Friend
You've Got A Friend
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Violon
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FACILE
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James Taylor
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Sherry Lewis
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You've Got A Friend
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Sherry Lewis Publishing
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Violin Solo - Level 2 - SKU: A0.520896 By James Taylor. By Carole King. Arranged by Sherry Lewis. Contemporary,Pop. 5 pages. Sherry Lewis Publishing #31...
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Violin Solo - Level 2 - SKU: A0.520896 By James Taylor. By Carole King. Arranged by Sherry Lewis. Contemporary,Pop. 5 pages. Sherry Lewis Publishing #3132739. Published by Sherry Lewis Publishing (A0.520896). YOU'VE GOT A FRIEND IN ME Violin Solo, Intermediate LevelScore: YES Parts: 2 pages Time: 3'25MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.99 ≈
4.62€
You've Got A Friend In Me
You've Got A Friend In Me
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Film/TV
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Randy Newman And Lyle Lovett
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Sherry Lewis
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You've Got A Friend In Me
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Sherry Lewis Publishing
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.521849 By Randy Newman And Lyle Lovett. By Randy Newman. Arranged by Sherry Lewis. ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.521849 By Randy Newman And Lyle Lovett. By Randy Newman. Arranged by Sherry Lewis. Film/TV. 17 pages. Sherry Lewis Publishing #6503433. Published by Sherry Lewis Publishing (A0.521849). YOU'VE GOT A FRIEND IN ME String Quartet, Intermediate Level for 2 violins, viola and cello Score: YES Parts: 8 pages Time: 3'25 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99 ≈
12.03€
I Gotta Feeling
I Gotta Feeling
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The Black Eyed Peas
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Rob Bushnell
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I Gotta Feeling
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RBMusic
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Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - SKU: A0.752383 By The Black Eyed Peas. By Allan Pineda, David Guetta, Frederic ...
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Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - SKU: A0.752383 By The Black Eyed Peas. By Allan Pineda, David Guetta, Frederic Riesterer, Jaime Gomez, Stacy Ferguson, and Will Adams. Arranged by Rob Bushnell. Hip-Hop,Pop,R & B. 38 pages. RBMusic #5210549. Published by RBMusic (A0.752383). Produced by David Guetta and Frédéric Riesterer, I Gotta Feeling is the second single from the album The E.N.D., the fifth released by The Black Eyed Peas. It debuted at number two on the Billboard Hot 100, behind the group’s song Boom Boom Pow, making the one of only eleven artists who have held the top two positions at the same time. It reached number one in the US charts and won the group the Grammy for the Best Pop Performance by a Duo or Group with Vocals. The album also won Best Pop Vocal Album and Best Short Form Music Video as well as being nominated for Album of the Year and Record of the Year. I Gotta Feeling became the first song to sell over 7 million digital copies in the United States in March 2011 and holds the record as the best digital seller in history. It spent 14 consecutive weeks at the of the Billboard Hot 100, making it the longest-running number-one single of 2009. This arrangement includes oompah sections, as well as alternative parts for tenor horn, treble-clef euphonium, and tubas (both bass and treble clef). A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=uSD4vsh1zDA. Other searchable terms: World Music Awards, Frederic Riesterer, William Adams, Allan Pineda, Jaime Gomez, Stacy Ferguson, will.i.am, Square Prod, Paris, France, Metropolis Studios, London, England, United Kingdom, Take a Dive, Bryan Pringle, The Police, Every Breath You Take, Five Stairsteps, Ooh Child, I'll Go Crazy If I Don't Go Crazy Tonight, Kick-off Party, The Oprah Winfrey Show, Super Bowl XLV, FIRST Robotics Competition World Championships, Queen Elizabeth II, Diamond Jubilee, Jessie J, Southeast Asian Games, J Rey, Soul, Jessica Reynoso, Apl.de.ap, Fergie, Taboo, Hollywood Boulevard, Dipdive, Mikey Mee, Little Minx, Katy Perry, Kid Cudi, Gossip, Dean Caten, Dan Caten, Dsquared2, RuPaul, Ongina, CBS, CNN, Winter Olympics, Vancouver, Sochi, The Big Band Theory, Miami Medical, Horrid Henry, G-Force
$16.99 ≈
15.74€
I Gotta Feeling
I Gotta Feeling
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The Black Eyed Peas
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Rob Bushnell
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I Gotta Feeling
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RBMusic
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Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - SKU: A0.752385 By The Black Eyed Peas. By Allan Pineda, David Guetta, Frederic ...
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Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - SKU: A0.752385 By The Black Eyed Peas. By Allan Pineda, David Guetta, Frederic Riesterer, Jaime Gomez, Stacy Ferguson, and Will Adams. Arranged by Rob Bushnell. Hip-Hop,Pop,R & B. 41 pages. RBMusic #5213267. Published by RBMusic (A0.752385). Produced by David Guetta and Frédéric Riesterer, I Gotta Feeling is the second single from the album The E.N.D., the fifth released by The Black Eyed Peas. It debuted at number two on the Billboard Hot 100, behind the group’s song Boom Boom Pow, making the one of only eleven artists who have held the top two positions at the same time. It reached number one in the US charts and won the group the Grammy for the Best Pop Performance by a Duo or Group with Vocals. The album also won Best Pop Vocal Album and Best Short Form Music Video as well as being nominated for Album of the Year and Record of the Year. I Gotta Feeling became the first song to sell over 7 million digital copies in the United States in March 2011 and holds the record as the best digital seller in history. It spent 14 consecutive weeks at the of the Billboard Hot 100, making it the longest-running number-one single of 2009. This arrangement includes oompah sections, as well as alternative parts for tenor horn, treble-clef euphonium and tubas. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=uSD4vsh1zDA. Other searchable terms: World Music Awards, Frederic Riesterer, William Adams, Allan Pineda, Jaime Gomez, Stacy Ferguson, will.i.am, Square Prod, Paris, France, Metropolis Studios, London, England, United Kingdom, Take a Dive, Bryan Pringle, The Police, Every Breath You Take, Five Stairsteps, Ooh Child, I'll Go Crazy If I Don't Go Crazy Tonight, Kick-off Party, The Oprah Winfrey Show, Super Bowl XLV, FIRST Robotics Competition World Championships, Queen Elizabeth II, Diamond Jubilee, Jessie J, Southeast Asian Games, J Rey, Soul, Jessica Reynoso, Apl.de.ap, Fergie, Taboo, Hollywood Boulevard, Dipdive, Mikey Mee, Little Minx, Katy Perry, Kid Cudi, Gossip, Dean Caten, Dan Caten, Dsquared2, RuPaul, Ongina, CBS, CNN, Winter Olympics, Vancouver, Sochi, The Big Band Theory, Miami Medical, Horrid Henry, G-Force
$16.99 ≈
15.74€
You've Got A Friend
You've Got A Friend
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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James Taylor
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Sherry Lewis Publishing
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You've Got A Friend
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Sherry Lewis Publishing
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.520893 By James Taylor. By Carole King. Arranged by Sherry Lewis Publishing. Contem...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.520893 By James Taylor. By Carole King. Arranged by Sherry Lewis Publishing. Contemporary,Pop. 17 pages. Sherry Lewis Publishing #3132713. Published by Sherry Lewis Publishing (A0.520893). String Quartet, Intermediate Level for 2 violins, viola and celloScore: YES Parts: 8 pages Time: 3'25MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99 ≈
12.03€
Dust In The Wind
Dust In The Wind
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Rock
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Kansas
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Jon Thingvall
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Verse (youtube
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Dust In The Wind
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Jon Thingvall
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Acoustic Guitar,Alto Flute,Cello,Horn,Tenor Saxophone,Trombone,Violin - Level 3 - SKU: A0.1368317 By Kansas. By Kerry Livgren. Arranged by Jon Thingvall...
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Acoustic Guitar,Alto Flute,Cello,Horn,Tenor Saxophone,Trombone,Violin - Level 3 - SKU: A0.1368317 By Kansas. By Kerry Livgren. Arranged by Jon Thingvall. Pop,Rock. 45 pages. Jon Thingvall #952661. Published by Jon Thingvall (A0.1368317). Seeking a modern setting for a French Horn solo? Is the community--or are the students--feeling that classical music is stuffy? Got a budding Guitar Hero with nowhere to play? Want to give the orchestra a break, without stopping the program completely? Need a relaxed, quasi-Adagio for the concert's pacing?This is a record-copy of KANSAS' classic rock ballad, scored for a fairly small ensemble. Most instruments can be substituted: Flute for Alto Flute, Viola or Cello for Violin, Flugelhorn for the Horn part, or 4 Trombone parts instead of 3 with Solo Horn.Acoustic Guitar (will need amp). (Part copied verbatim from the official video, with thanks to Kansas - Dust In The Wind Guitar Lesson Pt.1 - Intro & Verse (youtube.com))French Horn solo--  Steve Walsh's epic, almost-apocalyptic style seemed perfectly suited to the mystique of the French Horn. (Measure 102 is “as though spoken†like in the recording here:  https://youtu.be/tH2w6Oxx0kQ?t=126. If the audience isn't familiar with Steve's style, it may be better left as a quarter- or eighth-note (written F sharp), but if you've got a Hornist with the chops, I’ve tried to put the articulations in to imitate a spoken voice.)3 Trombones-- Mainly triadic pads, with two instances of 9ths in the upper bass clef.1 Tenor Sax / Double on Alto Flute The Sax will sound great sotto voce to the Horn. The Flute should be as soft as possible, and ethereal.Solo Violin  (Could be sectional, instead of solo.)Solo Cello (Ibid.)The official video has bongos at the end, but I felt the sparse score worked well. They could easily be improvised, if needed.
$30.00 ≈
27.79€
The Strand
The Strand
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Kevin Price
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The Strand
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Kevin Price
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Piano Solo - Level 4 - SKU: A0.965566 Composed by Kevin Price. Contemporary. Score. 3 pages. Kevin Price #5373279. Published by Kevin Price (A0.965566)....
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Piano Solo - Level 4 - SKU: A0.965566 Composed by Kevin Price. Contemporary. Score. 3 pages. Kevin Price #5373279. Published by Kevin Price (A0.965566). Living in Galveston, Texas, I got the idea for this particular piano solo while walking The Strand in downtown Galveston. It is a slow, and happy feeling concert piece written in G Major. The syncopated 2/4 section gives the feel of happily strutting along the trolley tracks. Enjoy!
$1.99 ≈
1.84€
Embracing the Comfort Zone [piano solo]
Embracing the Comfort Zone [piano solo]
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Piano seul
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FACILE
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Iannis Eralos
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composer href=http://www
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Embracing the Comfort Zone [pi
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Juan Maria Solare
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Easy Piano - Level 2 - SKU: A0.1270300 By Iannis Eralos. By Juan María Solare. 21st Century,Classical,Contemporary,Instructional,New Age. Score. 5 page...
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Easy Piano - Level 2 - SKU: A0.1270300 By Iannis Eralos. By Juan MarÃa Solare. 21st Century,Classical,Contemporary,Instructional,New Age. Score. 5 pages. Juan Maria Solare #862734. Published by Juan Maria Solare (A0.1270300). Juan MarÃa Solare: Embracing the Comfort Zone, for piano solo [en Castellano debajo]Tons of motivational speeches suggest, or rather order, to leave the comfort zone in order to achieve success. I dare to relativize this idea. In the comfort zone, one feels safe and in control. It is the realm of mastery, the place where we perform at our best. When in your comfort zone we can carry out tasks with ease and precision. Discomfort is not a measure of growth. Stress hampers creativity. While stress might be necessary in some situations to combat stagnation, life itself constantly pushes us outside our comfort zone.The comfort zone is not the enemy, it's not a trap. Instead, it can be our ally, a place where we can safely build with a solid foundation. And if you have the feeling it's not large enough, you can expand it.Oh, I forgot to mention that this is a quiet piano piece! In neoclassical style.Find the audio here: https://gyro.to/EmbracingtheComfortZoneJuan MarÃa SolareWorpswede, Germany, 25 July 2023Montones de discursos motivacionales sugieren, o más bien ordenan, abandonar la zona de confort para alcanzar el éxito. Me atrevo a relativizar esta idea. En la zona de confort uno se siente seguro y en control. Es la región de la maestrÃa, el lugar donde rendimos al máximo. En la zona de confort podemos realizar tareas con facilidad y precisión. La incomodidad no es un baremo del crecimiento. El estrés obstaculiza la creatividad. Aunque el estrés pueda ser necesario en algunas situaciones para combatir el estancamiento, ya la vida misma nos empuja constantemente fuera de nuestra zona de confort.La zona de confort no es el enemigo, no es una trampa. En cambio, puede ser tu aliada, un lugar donde se puede construir en seguridad y con bases sólidas. Y si uno siente que no es lo suficientemente grande, se la puede expandir.¡Ah, se me olvidó mencionar que esta es una calma pieza para piano! En estilo neoclásico.Hallen la música aquÃ: https://gyro.to/EmbracingtheComfortZoneJuan MarÃa SolareWorpswede, Alemania, 25 de julio de 2023.
$2.00 ≈
1.85€
Of The Father's Love Begotten
Of The Father's Love Begotten
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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11th century trope
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Michael D
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Of The Father's Love Begotten
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Michael D. McClish
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Choral Choir (SATB) - Level 3 - SKU: A0.940837 Composed by 11th century trope. Arranged by Michael D. McClish. Christian,Christmas,Praise & Worship,Sacr...
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Choral Choir (SATB) - Level 3 - SKU: A0.940837 Composed by 11th century trope. Arranged by Michael D. McClish. Christian,Christmas,Praise & Worship,Sacred. Octavo. 7 pages. Michael D. McClish #6656833. Published by Michael D. McClish (A0.940837). This is a beautiful rendition of the familiar chant, keeping the intent of early chant and choral sound, but within a more contemporary harmonic palette. It begins simply and ends in a very uplifting, positive manner, with several transpositions along the way. However, the feeling of plainchant is always present in each variation as they evolve. This is the first of what I hope to be a collection of hymn arrangements for choir that follow the Christian Church Year, this one being Advent season. Of course it can be sung anytime that fits the situation, but I used the United Methodist Hymnal suggestion for an Advent hymn. The piano simulates bells and chimes, and the voices sometimes do also. A very uplifting arrangement, while not so difficult as to discourage choirs. It employs the concept of canon and contemporary harmonies. I hope you and your choir or choral organization enjoy it as much as I enjoyed writing it.
$2.50 ≈
2.32€
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